• How has documentary film been used to tell meaningful stories about black people in Africa and the United States? What is the process of putting these stories together on film? What makes a compelling documentary film?
• What kinds of (intellectual, cultural, social, etc.) spaces do these films open up for audiences to consider race relations and black experience in new or meaningful ways?
• Can documentary film play a role in political struggle? Can documentary film be a "weapon of the oppressed," an agent of change? If so, how? If not, why not?
• And does the relationship between the filmmaker and the subject matter in documentary films matter? Explain.
Here is the poster for the film festival (click image to enlarge)
Here are the films we are screening at The Ross FREE and open to the public...
- "What We Want, What We Believe... the Black Panthers" (on the Black Panther Party)
- "Mo & Me" (filmmakers exploration of his father's - Mo Amin - life)
- "God Grew Tired of Us" (on Sudan's "Lost Boys")
- "Wattstax" (the 1973 "Black Woodstock" concert in Los Angeles, featuring Staxx Records musicians and Richard Pryor interludes)
- "When We Were Kings" (on famed "Rumble in the Jungle" between Muhammad Ali and George Foreman in Zaire)
- "Amandla: A Revolution in Four-Part Harmony" (on role of music in South African freedom movement)
- "Hip Hop Beyond Beats and Rhymes" (on sexism and homophobia in hip hop)
- "Hip Hop Colony" (on hip hop in Africa)
For full film festival information (including brief bios of our two keynote filmmakers, a detailed schedule of all events, and synopses of each film) click here.
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